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The Staircase

Overview

Ann Rinaldi’s The Staircase is a young adult historical novel first published in 2000 by Harcourt. Inspired by the celebrated spiral staircase in the Loretto Chapel in Santa Fe, New Mexico, it combines a coming-of-age story with the mystery and religious legend associated with the staircase. The novel’s account is a literary imagining of the legend, not proof that the staircase had supernatural origins. Rinaldi uses the story to explore how a young person makes sense of unfamiliar beliefs, personal loss, and events that resist easy explanation.

Plot

Thirteen-year-old Lizzy Enders is grieving the death of her mother, who died during the family’s difficult journey west. Her father leaves her at a convent school in Santa Fe, run by the Sisters of Loretto. Lizzy has been raised Methodist, and the sisters’ devotion to Catholicism is difficult for her to understand. She must adjust to a new community and its religious customs while also coping with bereavement and the feeling that her family has been taken away from her.

At the convent, Lizzy encounters José, a wandering carpenter. The new chapel needs a staircase, and José builds an elaborate spiral structure with only three tools and unwavering faith. The work draws attention because of its unusual design and the questions surrounding its maker and construction. As Lizzy watches the sisters and the carpenter, she has to reconsider some of her first judgments. The staircase’s mystery supplies the narrative’s central thread, but the novel is also about a girl trying to find a place for herself among people whose beliefs and choices initially seem foreign. Its emotional movement comes from grief and suspicion toward greater curiosity and understanding, rather than from the architectural puzzle alone.

Themes and significance

The book brings together mourning, family separation, adolescence, religious difference, and the possibility of trust. Lizzy’s Methodist background provides a personal counterpoint to the Catholic life of the convent; the contrast lets the novel consider tolerance through daily encounters rather than abstract argument. The staircase works both as a remarkable physical creation and as a meeting point for competing explanations, faith, and wonder. Its legend remains mysterious, while the story stays grounded in the questions and feelings of its young protagonist.

Rinaldi was widely known for carefully researched historical fiction, often featuring female protagonists. In The Staircase, she turns a well-known Santa Fe legend into a historical coming-of-age narrative, using an imagined girl’s perspective to connect a place and its story with the experience of loss and adjustment. The novel forms part of her substantial body of writing for young readers. The Loretto Chapel’s own presentation of the book continues to associate it with the chapel’s spiral staircase and the carpenter who built it. Its lasting appeal lies in that combination of local legend, religious tension, and an accessible story of a young person learning to live with uncertainty.

About the Author

Ann Rinaldi

Early life and education

Ann Rinaldi was an American journalist and young adult historical novelist, particularly known for researched stories featuring girls and women in the past. She was born in New York City on August 27, 1934, the fifth child of Michael Feis, a newspaper manager, and his wife Marcela, who died shortly after Ann’s birth. Rinaldi grew up in New Brunswick, New Jersey, and graduated from St. Peter’s High School there in 1952. She began writing poetry in her early teens. After high school, at her father’s suggestion, she tried business work. She later described having “kicked around the typing pool” and held jobs at the Visiting Nurse Association in New Brunswick and the American Can Company in Metuchen. The available biographical accounts identify her high-school education and early employment; they do not establish a college degree.

Journalism and books

In 1960 Rinaldi married Ronald Rinaldi and moved to Branchburg, New Jersey. They raised two children. She built her writing career first in journalism, working as a columnist for the Somerset Messenger Gazette in 1969–70 and then as a columnist, feature writer, and editorial writer for the Trentonian from 1970 to 1991. She also visited schools and educational conferences as a lecturer. Her years in newspaper work gave her a sustained practice in writing for readers, and she continued to be associated with newspaper columns during much of her literary career.

Rinaldi wrote historical fiction for young readers, often placing a female protagonist inside a consequential period or a community shaped by historical pressures. Her books include Time Enough for Drums, The Last Silk Dress, The Good Side of My Heart, Wolf by the Ears, and A Break with Charity. The Staircase, published in 2000, draws on the legend of the spiral staircase at the Loretto Chapel in Santa Fe. She wrote more than thirty books for young readers; another account of her career describes a novel output of more than forty. The differing totals reflect different ways of counting her extensive bibliography, but both indicate the scale of her work.

Recognition and legacy

Rinaldi received awards for both journalism and historical writing. The New Jersey Press Association gave her first-place awards for newspaper columns in 1978 and 1989. The New Jersey Institute of Technology recognized Time Enough for Drums in 1987 and The Good Side of My Heart in 1988. In 1991, the Daughters of the American Revolution gave her its National History Award for contributions to “bringing history to life” through her historical novels. Eight of her novels were named among the American Library Association’s Best Books for Young Adults. These honors reflect her success in combining historical settings with intimate stories that young readers could follow through the experiences of individual characters.

Rinaldi died in Branchburg, New Jersey, on July 1, 2021, aged 86. Her lasting reputation rests on a large body of accessible, research-minded historical fiction and on her persistent attention to girls’ and women’s perspectives. By making the past a setting for personal choices, family conflict, and coming of age, she introduced generations of young readers to history through narrative rather than textbook summary.

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